Adiós, Sabata
Adiós, Sabata is a 1970 Italian Spaghetti Western film directed by Gianfranco Parolini. It is the second film in The Sabata Trilogy by Parolini. Yul Brynner takes over the lead role from Lee Van Cleef, who stars in the first and third films.
Any Gun Can Play
Any Gun Can Play is a 1967 spaghetti western starring Gilbert Roland, Edd Byrnes and George Hilton. The film is directed by Enzo G. Castellari. The film is about a group of cowboys searching for gold, double-leading to double crosses as they continually change allegiances and get the upper hand only to be thwarted by fellow outlaws, mysterious insurance investigators and each other.
Blood for a Silver Dollar
Blood for a Silver Dollar, also known as One Silver Dollar, is a 1965 Italian-French Spaghetti Western film directed by Giorgio Ferroni, written by Giorgio Stegani and Ferroni and starring Giuliano Gemma and Ida Galli.
I due figli di Ringo
Two Sons of Ringo is a 1966 Italian western-parody film. It was the last film directed by Giorgio Simonelli who, for health reasons, left the production just before the end of filming and was replaced by Giuliano Carnimeo.
Johnny Hamlet
Johnny Hamlet, also known as The Wild and the Dirty, is a 1968 Italian film directed by Enzo G. Castellari. The film is a Spaghetti Western version of William Shakespeare's tragedy Hamlet.
La morte non conta i dollari
La morte non conta i dollari 1967 Italian spaghetti western film directed by Riccardo Freda. The film is about Lawrence White who returns to his hometown of Owell Rock with his sister to avenge the father's death at the hands of a gang. The leader of the gang, Doc Lester ahs recently appointed himself the gunslinger Boyd as the new sheriff.
May God Forgive You... But I Won't
May God Forgive You... But I Won't is a 1968 Italian Spaghetti Western film written and directed by Vincenzo Musolino.
Pecos Cleans Up
Pecos è qui: prega e muori is a 1967 Italian Spaghetti Western film directed by Maurizio Lucidi.
Perché uccidi ancora
Perché uccidi ancora is a 1965 Italian western film adventure directed by José Antonio de la Loma and Edoardo Mulargia.
Return of Sabata
Return of Sabata is a 1971 Spaghetti Western film directed by Gianfranco Parolini. The third film in The Sabata Trilogy, it features the return of Lee Van Cleef as the title character, which he had played in the first film, Sabata, but was replaced by Yul Brynner in the second film, Adiós, Sabata, due to a scheduling conflict. Return of Sabata was listed in the 1978 book The Fifty Worst Films of All Time.
Reverend's Colt
Reverend's Colt is a 1970 Spanish-Italian Spaghetti Western directed by León Klimovsky.
Sabata
Sabata, is a 1969 Italian Spaghetti Western directed by Gianfranco Parolini. It is the first film in The Sabata Trilogy by Parolini, and stars Lee Van Cleef as the title character. Parolini had previously had a major success with the first Sartana spaghetti western If You Meet Sartana Pray for Your Death (1968), but the sequels were given to other directors, such as Giuliano Carnimeo. Producer Alberto Grimaldi contacted Parolini for a similar series of Sabata.
Son of Django
Son of Django is a 1967 Italian Spaghetti Western film written and directed by Osvaldo Civirani.
The Nephews of Zorro
The Nephews of Zorro is a 1968 Italian comedy film directed by Marcello Ciorciolini.
Two Mafiamen in the Far West
Two Mafiamen in the Far West is a 1964 Italian comedy western film directed by Giorgio Simonelli. Its stars Franco Franchi, Ciccio Ingrassia and Fernando Sancho.
Two Sergeants of General Custer
Two Sergeants of General Custer or I due sergenti del generale Custer is a 1965 Italian western comedy film directed by Giorgio Simonelli.
Vengeance
Vengeance is a 1968 Spaghetti Western film written and directed by Antonio Margheriti. It starred Richard Harrison, Mariangela Giordano and Luciano Pigozzi.
White Fang and the Hunter
Zanna Bianca e il cacciatore solitario is a 1975 Italian adventure film directed by Alfonso Brescia. Despite the title tries to market the commercial success of Lucio Fulci's White Fang, the film's plot has no connection with the novel. The film was poorly received by critics, being defined as "pathetic" and marked as "trash", and gained some cult status in reason of its reputation.