Adiós, Sabata
Adiós, Sabata is a 1970 Italian Spaghetti Western film directed by Gianfranco Parolini. It is the second film in The Sabata Trilogy by Parolini. Yul Brynner takes over the lead role from Lee Van Cleef, who stars in the first and third films.
Arizona Colt Returns
Arizona Colt Returns, also known as Arizona Lets Fly and Kill Everybody and If You Gotta Shoot Someone... Bang! Bang!, is a 1970 Italian-Spanish Spaghetti Western film directed by Sergio Martino and starring Anthony Steffen. The feature film debut of Martino after a series of documentary films, it is the sequel of Arizona Colt, with Steffen replacing Giuliano Gemma in the title role and with only Roberto Camardiel reprising his role from the previous film.
Centomila dollari per Ringo
100.000 dollari per Ringo is a 1965 spaghetti western film directed by Alberto De Martino.
Dead Men Ride
Dead Men Ride is a 1971 Italian-Spanish Spaghetti Western film directed by Aldo Florio.
Django Shoots First
Django Shoots First is an Italian Spaghetti Western film directed by Alberto De Martino.
Have a Good Funeral, My Friend... Sartana Will Pay
Have a Good Funeral, My Friend... Sartana Will Pay is a 1970 Spaghetti Western film directed by Giuliano Carnimeo, written by Roberto Gianviti and starring Gianni Garko.
Man Called Invincible
Man Called Invincible is a 1973 Italian spaghetti western-comedy film directed by Giuliano Carnimeo.
My Name Is Shanghai Joe
The Fighting Fist of Shanghai Joe is a 1973 Spaghetti Western kung fu film directed by Mario Caiano and starring Chen Lee as Shanghai Joe. The film was released in a number of alternate titles in the United States, including To Kill or to Die and The Dragon Strikes Back.
Run, Man, Run!
Run, Man, Run is an Italian-French Zapata Western film. It is the second film of Sergio Sollima centred on the character of Cuchillo, again played by Tomas Milian, after the two-years earlier successful western The Big Gundown. It is also the final chapter of the political-western trilogy of Sollima, and his last spaghetti western. According to the same Sollima, Run, Man, Run is the most politic, the most revolutionary and even anarchic among his movies.